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In action film, disability is often represented as something that is considered traumatic and abject, or in contrast, as a source of power. This particular genre is often crossed over with others, such as science-fiction or fantasy. This article will thoroughly discuss representations of disability in each genre (action/adventure, animation, comedy, drama, horror, romance, science-fiction, war and western), and how we can identify them in specific film examples. The representations of people with disability within film genres are perhaps more diverse and genuine compared to representations of other groups such as women, minorities, and LGBT people.

However, the accuracy of portrayal of disability in film has been criticised due to usually able-bodied cast and crew, who often cannot accurately depict the actual disability experience.Дisability is an interesting subject to discuss in this respect as it is an individual experience. For example, The Theory of Everything (2014) is a romantic-drama that represents disability as a battle, but also a source that can raise awareness and success.

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Considering that some films do not directly state вЂdisabilityвЂ™ or even consider it at all, it can still be used as a metaphoric code to illustrate a message (usually depending on the genre). This may be an unfair representation, but at the same time it is a relevant element of disability within genre.ДЇrom this, viewers can identify differences among characters as well as the thematic and visual styles, as the genre illustrates. For example, a film about a man with clear physical disabilities is often depicted as an abject gaze within horror. The entire concept of genre is recycled from elements within society, and the relevant features of each specifically labels the disabled into a certain character type. Disability is represented as a metaphor through imagery or charactersвЂ™ features, or as a direct subject within the narrative. Like all social groups, people with disability have been portrayed in diverse ways in Hollywood, from stereotypical representations in horror to genuine inspirations in melodramas.